A crew of seasoned criminals led by the notorious Nam, armed with high-powered weapons, pulls off another smooth and violent armored car heist in broad daylight in a crowded street. Whoever tries to get in their way, they will show no mercy. This puts the police force to shame and humiliation. A hardboiled senior police inspector Lui, hot on the trails of Nam and his tight crew, determines to put an end to this madness that causes the lives of innocent people. But he soon comes face to face with the cruel reality that the usual police tactics are too futile to send these armed thieves behind bars. Extreme crime requires extreme justice, even if it means crossing his moral line. Tou, an ex-con desperate to leave his criminal past behind, volunteers to be Lui’s snitch in exchange for a fresh start with her girlfriend Bing. But little does he know what hellish situation he’s getting himself into.

Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma’s home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma’s grandson and take care of him. A change takes place in Izumi.

Prequel to the Henry James classic “Turn of the Screw” about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.

In March of 1945, as the War in Europe is coming to a close, fighting erupts between German and American troops at the last remaining bridgehead across the Rhine.

An R&B singer snagged by the trappings of superstardom loses his way and turns his back on his church and faith-filled beginnings. Tragedy strikes, leaving a chance for redemption in its wake. But with rebirth, first comes death.

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis’ reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.

Kamal resolves to change his life for the better, and so leaves Belgium to help victims of the war in Syria. But when he arrives, he is forced to join a militia and is left stranded in Raqqa. Back home, his younger brother Nassim quickly becomes easy prey for radical recruiters, who promise to reunite him with his brother. Their mother, Leila, fights to protect the only thing she has left: her youngest son.

A promising up-and-coming country duo seek out the secluded mansion of their idol Harper Dutch a former country music star and Nashville royalty turned recluse. What starts out as a friendly visit devolves into a twisted series of horrors forcing the friends to confront the lengths they will go to realize their dreams.

Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood’s past where friends, families, and foes all work together to make a living – no matter the cost.

Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly.

Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a “serious” writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.

An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles