Inspired by true events, the shocking story of London’s most feared and notorious brothers Reggie and Ronnie Kray as they break Frank ‘The Mad Axeman’ Mitchell from Dartmoor Prison in December 1966.
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Following a geographical tour of Slovakia, three young American women are lured into a hostel by a handsome young man who sells them to the twisted masters, ties them up and brings upon an unthinkable world of pain.
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Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.
Zed (Eric Stoltz) is an American vault-cracker who travels to Paris to meet up with his old friend Eric (Jean-Hugues Anglade). Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
A heroic version of Lex Luthor from an alternate universe appears to recruit the Justice League to help save his Earth from the Crime Syndicate, an evil version of the League. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and, through a devious plan launched by Batman’s counterpart Owlman, puts the balance of all existence in peril.
When a terrorist’s body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a small island. Soon the infected populace mutate into flesh-hungry zombies, and a trio of soldiers on leave must team up with a group of tourists and board themselves up in an abandoned hotel as they try to fend off the agile and aggressive living dead.
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