A woman helps the police catch the serial killer who murdered her best friend.

Corey, who works in her mom’s antique shop, puts on a Christmas pageant in honor of her late father. When a man named Ryder visits her store, she wonders if she should have left town to follow her dream of becoming a theater director.

Alice is a sailor. While her partner Félix waits for her on land, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that her predecessor has just died, but also that the skipper is none other than the first great love of her life. Alice finds a notebook in her cabin, apparently that of the former mechanic, and on reading its contents – accounts of mechanical problems, sexual conquests and lovelorn emotions – finds, oddly, that they mirror her own concerns. As they make stops at various ports, dealing with life aboard alongside an all-male crew and the swell and pitch of her romantic feelings, the young woman tries to stay on course.

A quadriplegic man is given a trained monkey help him with every day activities, until the little monkey begins to develop feelings, and rage, against its new master and those who get too close to him.

Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

When a flyover in the city becomes the hotbed of accidents, a young reporter decides to investigate the issue. Her quest for an answer would lead her into a web of intrigue, murder and mystery.

A group of friends plan out a detailed heist that turns deadly when one betrays the other by taking off with the goods. Taking matters into his own hands, Sonny seeks out his revenge teaming up with the most dangerous mob boss in town to get back what is rightfully his. When he finally comes face to face with his longtime friend he will be forced to make a life changing choice.

The film revolves around the relationship between two high school students, Yoo Shi-Eun and Min Hyo-Shin. As the two girls become romantically involved, their taboo friendship causes them to be marginalized by the other students. Unable to cope with the social pressures of having a lover of the same gender, Shi-Eun tries to distance herself from the increasingly dependent Hyo-Shin.

Truman Gates, a Chicago cop, sets out to find his brother’s killer. Meanwhile, another of his brothers, Briar (a hillbilly) decides to find the killer himself.

A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.

Jakob Evans suffers an emotional breakdown after the death of his wife in a car accident. His loss and pain runs deep as he claims to have found her in bed with another man just before she died. Unable to accept her death and her infidelity, Jakob decides his only chance at closure is to find the man she was sleeping with to help him comprehend what they shared. With the help of Grace, a promiscuous and troubled girl, Jakob starts to put together the pieces of the puzzle and track down his wife’s lover.

In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached  manner leads to one mistake after another.