Police chief Xavier Quinn investigates the gruesome murder of Donald Pater, one of the wealthiest residents on a Caribbean island. He was found decapitated in his Jacuzzi. Although the local political establishment, especially crooked Governor Chalk, insists that small-time thief Maubee is responsible, Xavier has his doubts. This view is complicated by the police chief’s personal history with Maubee: The men have been friends since childhood.
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Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
After losing her parents and being left by her boyfriend, Bubblegum Teddybear moves from Kansas to Albuquerque, New Mexico. She rejects the dating life and lives in a ghost world, where she is fully aware that her life is a movie. Bubblegum is familiar with cinematic structure and tries to make problems for herself so that her movie can have a happy ending. Despite her best efforts, love follows her and pushes her genre ever closer to tragedy.
Erwan, a strapping Breton who clears mines for a living, is shaken when he discovers that his father is not his father. Despite his affection for the man who raised him, he quietly sets out to find his biological father, and succeeds in locating Joseph, an endearing old codger he takes a liking to. Just when things look settled, another unexpected “bomb” hits Erwan in the form of Anna, an elusive nymph.
Ollie is in love with a woman. When he discovers that she is already married, he tries to kill himself. Of course, the suicide is avoided and the boys join the Foreign Legion to get away from their troubles. Finally, they are arrested for trying to desert the Legion and to escape the firing squad by stealing a plane.
Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun’s mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what’s the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
The film chronicles the exploits of the title character, Charlie, played by Raymond J. Barry (Training Day) a career criminal intent on scoring one last big pay day. When his “perfect crime” goes bad, Charlie flees to Los Angeles to hide out with his estranged son, Danny, played by Michael Weatherly. What ensues reveals the true nature of some of the most unsavory of characters.
Freed after a lengthy term in a juvenile detention center, convicted child killer Jack Burridge (Andrew Garfield) finds work as a deliveryman and begins dating co-worker Michelle (Katie Lyons). While out on the road one day, the young Englishman notices a distressed child, and, after reuniting the girl with her family, becomes a local celebrity. But, when a local newspaper unearths his past, Jack must cope with the anger of citizens who fear for the safety of their children.
A sheltered Amish child is the sole witness of a brutal murder in a restroom at a Philadelphia train station, and he must be protected. The assignment falls to a taciturn detective who goes undercover in a Pennsylvania Dutch community. On the farm, he slowly assimilates despite his urban grit and forges a romantic bond with the child’s beautiful mother.
Amelia, a respected wildlife journalist, is tasked with covering baby manatees in Puerto Rico about to be released into the wild, when she meets a handsome conservationist who helps her discover all the treasures the island has to offer.
As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
