In the mid-nineteenth century, in a small Venezuelan village, Father Giovanni and a clerk write the story of a supernatural case that they have witnessed, is the story of a mysterious specter, which the people of the town have baptized as “El Silbón”. In the current age, we know a family made up of Gabriel and Mayra, Ana’s parents. Gabriel suspects that his daughter is possessed by the devil since she is trying to kill him. Gabriel asks the priest of his parish for advice, which is the same one Father Giovanni wrote about the Silbón over a hundred years ago.
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The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Juujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the “Choujin” (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amanoùalong with his sister Megumi and their sidekick Kurokoùmust protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth.
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
An undead zombie wizard known as “The Litch” is hell-bent on devouring his victims and possessing the weak when his sacred crystal is stolen by a small-time crook and his crew of big-breasted witches. The Litch uses its power to transform into slimy mutant creatures, spilling gallons of blood from his victims on his quest to retrieve the crystal in order to rule the four worlds.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Matt, a self-absorbed young attorney, goes to visit his grandfather – an eccentric recluse who lives in the backwoods without gas, electricity, or phone – to convince him not to give away his estate as he plans to do. But in the end, it is Matt who is convinced to make some life changes. Jason London and Ed Asner star. When a woman needs someone to look after her aging father (Ed Asner), her irresponsible son isn’t her first choice. Matt (Jason London) can’t get his career, love life, or wallet in order, so how can he be expected to check in on his grandfather? But desperation leads Matt to visit his grandfather at his home in the middle of nowhere. For Matt, this barebones life takes some adjustment, but then he meets a single mother who helps him learn about the simple life.
Recently deceased, a white-sheeted ghost returns to his suburban home to console his bereft wife, only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away.