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Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant.The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.

Vladik Zorich (Dolph Lundgren), crime lord whose tentacles permeate the underbelly of a seedy Los Angeles as he deals in guns, gambling, drugs and skin trafficking, finds himself double-crossed by his most trusted operative Rhona Zyocki (Natalie Burn). Vladik’s propensity for power, control, and violence drives him to kidnap Rhona’s young son, forcing Rhona to participate in a planned elimination of Vladik’s enemies and identities. As her son’s life hangs in the balance, Rhona struggles to find and kill Vladik’s most violent and twisted foes and regain valuable goods and information, all in one fateful night.

The mysterious murder of a US senator bearing the distinctive trademark of the legendary Soviet assassin ‘Cassius’, forces retired CIA operative, Paul Shepherson to team with rookie FBI agent, Ben Geary to solve the crime. Having spent his career chasing Cassius, Shepherdson is convinced his nemesis is long dead, but is pushed to take on the case by his former supervisor, Tom Highland. Geary, who wrote his Master’s thesis on Shepherdson’s pursuit of the Soviet killer, is certain that Cassius has resurfaced.

After another deadly shark attack, Ellen Brody decides she has had enough of New England’s Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.

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Faced with sudden doubts about her marriage, a young New York mother teams up with her larger-than-life playboy father to tail her husband.

At three years old, a chatty, energetic little boy named Owen Suskind ceased to speak, disappearing into autism with apparently no way out. Almost four years passed and the only stimuli that engaged Owen were Disney films. Then one day, his father donned a puppet—Iago, the wisecracking parrot from Aladdin—and asked “what’s it like to be you?” And poof! Owen replied, with dialogue from the movie. Life, Animated tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world.

A bickering couple driving cross-country pick up a murderous hitchhiker whom threatens to kill them unless they take him to a santuary, and in return agrees to split some bank loot he has on him.

It starts with Rana and his best friend Janu who are climbing a mountain in bad weather. In the middle of a dense forest, they got separated and lost. Janu is lucky to be back home at last. But not with Rana. An extensive search was carried out. Rana not found. A week has passed. Rana’s extended family decided to hold a tahlilan. Rana is considered unlikely to have survived and will surely die there. Dini can’t accept that. As a mother, Dini doesn’t want to just give up and still believes that her daughter Rana is still alive. Sure enough. After the tahlilan, Rana came home in the pouring rain.

Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he’s also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.