When a worldly photojournalist returns to the Deep South to try to stop his daughter’s wedding and save her future, he discovers that it is he who has been stuck in the past.
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Ruthless dominatrixes pursue a mild-mannered salesman who wants to get out of his unbreakable contract with a secret bondage club.
After a break-in at their house, a couple gets help from one of the cops that answered their call. He helps them install the security system, and begins dropping by on short notice and unofficial patrol, and spends a lot of time discussing the couple’s problems with the wife. The husband begins wondering if they’re getting too much help.
High school student Sohee starts job training at a call center, but she faces pressure of greedy company. Detective Oh Yu-jin, who has something in common with Sohee starts to follow traces to reveal the truth.
A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
Single mom Laura, along with her awkward 14 year-old son Henry is forced to drive Jack, her estranged, care-free pot dealing father across country after he’s kicked out of yet another nursing home.
10-year-old Nori is obliged to grow up at a very young age after the early death of his mother and then being abandoned by his father Gezim in the Kosovo of the 1990s.After a dangerous and eventful journey, Nori finally arrives in Germany and is reunited with his father, but he cannot understand how Gezim could just have left him. And chances of them being able to stay in Germany look bleak when Gezim’s application for asylum is rejected.
Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.