A recent widow invites her husband’s troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
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When Gema gets roped into meeting her fiancé’s parents for the first time, she grapples with wanting their approval and facing the secret he’s been keeping from them.
Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.
A reclusive photojournalist lives quietly in a New York penthouse, until a smooth but sadistic criminal looking for a hidden fortune enters her life.
An absentee father and his bipolar son are forced to live together as they struggle with a recent family tragedy. The tension and anxiety boil as they live and try to cope in a tiny apartment. As time passes, they realize their shared pain is not their only source of grief, as they find the outside world is a cruel and unjust place.
When small town drifter Sammy Barlach drives into town on the search for his next cold beer and the bunch that’ll have him, he gets a lot more than he bargained for.
Martin and Margot are two writers traveling through Guatemala to find La Bestia, the mythological poet that brought them together. In their journey their relationship and future will be compromised by an unexpected pregnancy.
TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.
