When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him. Met with indifference and negligence at every turn, Sonia’s desperation triggers a primal survival instinct as a series of increasingly violent confrontations unfold. A sharp, urgent tale of a distraught woman intent on protecting her family at all costs, Rodrigo Plá’s latest film is an engrossing combination of thriller, drama and timely socio-political commentary. .
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Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
Formerly known as “Two Women” or “Freezing Rain”. A man who wants all love, a wife who approaches her husband’s other woman, and a woman who wants to keep her love. A classy melodrama of these three people and their risky encounter.
Two chess masters are entangled in several murder cases related to organ transplants. A cop and criminal psychologist Calvin Che have to work together to find the missing link, whilst facing various dangers.
An incident brings a mid-aged Taiwanese woman and a young Filipino guy together. Although they can barely communicate with each other in language, she takes care of him out of instinct before her self-consciousness gets in the way to define what that ambiguous instinct is.
A homicide detective sees similarities between herself and the victims of a killer who is murdering clinical phobics by exposing them to their fears.
A mysterious man, Suba, gets himself a job at a fencing academy, and as he learns the way of the students, the school, and its maestro, they learn that there’s more to him than meets the eye. He gains (or regains?) his fencing skills and his philosophy of teaching clashes with the maestro’s. As they are thrown into conflict, Suba and the maestro’s past appear to be linked. And the resolution of their mysterious relationship may be a duel to the death.
On an isolated English farm in 1657, Fanny lives a quiet life with her oppressive husband John and their young son. One day their life is rocked with the arrival of young couple Thomas and Rebecca who claim to have been robbed and need a place to stay. But are these strangers really who they say they are?
La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.
Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future.
Waitresses Angela and Jessie dream of leaving their low-rent diner and heading to Galveston, Texas. They soon find themselves on the streets of Dallas, trying to come up with increasingly wild schemes to raise some much-needed cash.
An overachieving executive quits her job just before Christmas and goes to her father’s country inn to try to find some balance again.