Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai’s film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
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Each year 40.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.
I AIN’T SCARED OF YOU is a documentary tribute to Bernie Mac (1957-2008). From his stand-up in underground Chicago comedy clubs to the Big Screen in Hollywood, Bernie Mac’s sharp tongue and heart of gold resonated with millions of fans throughout his career.This film revisits much of his work through exclusive recordings of early stand-up, featured scenes from his film and TV appearances, and interviews with his co-stars, including Samuel L. Jackson, Cameron Diaz, Chris Rock, and many more. Testimonials from friends and family offer colorful anecdotes about Bernie Mac, from his practical jokes to his strong appreciation for manicures, and paint a vivid picture of who he was as an actor-comedian, husband, father, and friend.
“Hidden Colors: The Untold History Of People Of Aboriginal,Moor,and African Descent” is a groundbreaking documentary that challenges conventional knowledge about the role of people of color in world history. We are generally taught that historically,most people of color around the world were primitive and uncivilized,and they only became modernized after they were saved and colonized by European explorers.The information in the film will uncover the real truth and and contributions of these people. .
Odette Springer is working in the B movie industry as a singer/composer, hating it but needing the work. She begins making this documentary about the low budget sex and slasher flicks and the people who work on them. Along the way, she meets unrepentantly boorish producers, directors arguing the legitimacy of what they’re doing and numerous actresses who feel trapped, with no other way to succeed in Hollywood. The project is eye-opening to the viewer…and to Odette herself.