Pop superstar Adelaide Kay is so fed up with her controlling manager that she sneaks off the tour bus after their latest squabble. Though exhilarated to be free, she finds herself stranded in the freezing cold of a Pennsylvania winter, with no money and no plan. A local family, the Lapps, take her in. They know the true meaning of the season, even if they’re close to losing their dairy farm. No one in the family recognizes Adelaide except Dillon, the oldest son. He figures she’s the ticket to fast cash and plots to snap photos of Adelaide around the farm and sell them to the tabs. What he doesn’t plan, however, is their mutual attraction.

When a legendary escape artist comes up for parole after 30 years behind bars, a chance for freedom must be weighed against his infamous past.

Born to an esteemed family, Inu-oh is afflicted with an ancient curse that has left him on the margins of society. When he meets the blind musician Tomona, a young biwa priest haunted by his past, Inu-oh discovers a captivating ability to dance. The pair quickly become business partners and inseparable friends as crowds flock to their electric, larger-than-life concerts. But when those in power threaten to break up the band, Inu-oh and Tomona must dance and sing to uncover the truth behind their creative gifts.

It was love at first sight for beautiful young lawyer Sandra “Sunday” O’Brien-Parker (Rachel Blanchard) and Henry Parker (Cameron Mathison), retiring White House Secretary of State, when Sunday’s dad Danny (Jack Wagner), Henry’s colleague and Secret Service Agent, introduced them at the picturesque Why Worry Ranch in California. Now, a year after their wedding, Sunday and Parker, living on the ranch near Lake Tahoe after Parker’s recent term as beloved state governor, are an irresistible sleuthing team who enjoy the political spotlight while taking pleasure busting the bad guys. But when Parker’s mom Miriam (Janet-Laine Green) and Danny are suddenly kidnapped on their way to a high-profile family event, Parker and Sunday are immediately on the case and this time it’s personal.

In the season of giving, the department took his badge. Criminals took his wife. Now, one cop is taking matters into his own hands

The film “Amen.” examines the links between the Vatican and Nazi Germany. The central character is Kurt Gerstein, a member of the Institute for Hygiene of the Waffen-SS who is horrified by what he sees in the death camps. Moreover, he is shocked to learn that the process he used to purify water for his troops, by using zyklon, served as a basis to kill people in gas chambers.

When U.S. B-24 bomber pilot Clair Cline is shot down and captured in northern Germany, one war ends and another begins — to keep hope alive. Now behind Nazi barbed wire and oppression, Cline and his fellow POW’s must find a way to bond together to not just survive but transcend their captivity. Inspired by true events.

Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.

Hailing from Aarah in Bihar, Anarkali is an item girl, famous for her vocals, suggestive dance moves and innuendo laden lyrics. She enjoys her stardom and revels in the lusty glances. The singer acknowledges that she is no saint and even makes peace with the hatred she evokes among civilised society but what she refuses to tolerate is being exploited in public by an influential politician.

In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world.

When penniless young writer Labidi meets Elisa he knows she’s the one for him. But Paris is expensive. A captivating film that combines the classic themes of French New Wave cinema with questions about roots, familiarity and distance.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his “owner” as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.