David Whitmer, Oliver Cowdery and Martin Harris face ridicule and persecution when they claim to have seen angels and hefted golden plates containing ancient inscriptions.
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Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana (Elena Anaya) tricks her fresh-from-prison sister, Aurora (Ariadna Gil), and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
Pressured to satisfy his girlfriend’s desires, an angsty young man begins to struggle with both his sexuality and his sanity after meeting the insidious new boy who has moved into his childhood home in this gothic, neo-noir fever dream.
Jerry Ryan wanders aimlessly around New York after giving up his Nebrascan law practice. His wife asks for a divorce. He meets Gittel, a struggling dancer from Greenwich Village and they try to sort out their lives. An extended conversation piece with a static camera, but reflects the moral climate of the time.
Bored with her social butterfly lifestyle, Victoria Tremont longs to find that special someone. Naturally, when a handsome stranger walks into the coffee shop where she works, she turns on the charm. But when he fails to respond to her flirting the way men usually do, she’s perplexed. She finds out that he runs a ministry that builds affordable housing, and sees that if she wants to get his attention, all she has to do is volunteer. So what if it’s a faith-based ministry. Pretending to be a “church person” isn’t any different than pretending to like sports or a guy’s friends, right?
Actor / writer / director Erich von Stroheim stars as a fraudulent count, living high on the hog in Monte Carlo. He supports himself by extorting huge sums of money from silly married ladies who are dumb enough to fall for his romantic charms. Von Stroheim’s partners in crime, phony princesses Mae Busch and Maud George, live in a state of perpetual depravity with the count in a huge mansion. Their latest victim, played by an actress who insisted upon being billed as Miss DuPont, is the wife of an American financier. Von Stroheim’s attempted seduction of this particular foolish wife is thwarted at every turn, and the count ultimately gets his comeuppance.
American boy Cody lives in Australia with his guardian, Gaza. Cody is very imaginative, inventive, and inquisitive. He comes accross some strange events happening in Devil’s Knob national park associated with an aboriginal myth about “frog dreamings”. Cody tries to investigate…
Milo Boyd is a bounty hunter whose latest gig is rather satisfying, as he finds out that the bail-skipper he must chase down is his own ex-wife, Nicole — but she has no intention of getting nabbed without a fight. Complicating matters, Nicole’s wannabe-boyfriend, Stewart, joins the chase.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
David, George, and Greg, best friends since high school, are “The War Boys”. They used to perch on the US-Mexican border, waiting to spot illegal immigrants who were trying to run into the United States. Sometimes, without a thought for the immigrants, the boys chased them across the wasteland and back across the border – just for fun. It was just one of those games boys played to make themselves feel big. But high school’s over now. David is unexpectedly home from his freshman year of college and the War Boys have been reunited.
