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The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage.
For millennia mankind lived upon this planet without the need for electronic devices. No smart phones, tablets or gadgets running our homes. We knew about the cycles of nature and the balance of life. Now, we live in an artificially created dream state that controls every aspect of our lives. The majority of people in the world have no idea how to hunt and gather, how to heal themselves, build a shelter and even communicate without texting. Huge leaps in technological evolution have destroyed in one generation what thousands of generations developed. The threats we are facing in the very near future are immense. Criminals, terrorists and governments are only just the beginning. We will soon be facing the greatest threat ever known as we are feeding and nurturing the monster of our own destruction. Welcome to your future.
Since the early days, Jerry Lewis – in the line of Chaplin, Keaton and Laurel – had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.
Set in 19th-century Russia, Allen is a cowardly serf drafted into the Napoleonic war, who would rather write poetry and obsess over his beautiful but pretentious cousin. Allen’s cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, making him a national hero. A hilarious parody of Russian literature, Love and Death is a must-see for fans of Allen’s films.
This film is based on the actual events that took place in 1971 when Stanford professor Dr. Philip Zimbardo created what became one of the most shocking and famous social experiments of all time.