1963
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of reviewing the play or cause the breakup of his marriage. Based on the Broadway play by Ira Levin.
‘Guns’ Donovan prefers carousing with his pals Doc Dedham and ‘Boats’ Gilhooley, until Dedham’s high-society daughter Amelia shows up in their South Seas paradise.
A naive and innocent teenage girl is blackmailed into modeling in the nude for a photographer who is in league with a teenage gang whose boss illegally sells photos of teenage girls being abused and degraded.
Jerry Lewis plays Norman Phiffer, a proud man in a humble life, who doesn’t know that his girlfriend, Barbara, is heir to the Tuttle Department Store dynasty. Mrs. Tuttle, Barbara’s mother, is determined to split the two lovers, and hires Norman in an attempt to humiliate him enough that Barbara leaves him. Will she ruin their love, or will he ruin her store?
Henry J. Tyroone leaves Texas, where his oil wells are drying up, and arrives in New York with a lot of oil money to play with in the stock market. He meets stock analyst Molly Thatcher, who tries to ignore the lavish attention he spends on her but …
Honeymooning in Bavaria, the young couple become stranded and are forced to stay the night in the area. Doctor Ravna, owner of the impressive chateau that sits imposingly above the village, invites them to dinner that evening. Their association with Ravna and his charming, beautiful family is to prove disastrous as they become unwittingly embroiled with this family of vampires who seek to initiate them into their diabolical creed.
Several employees on a nobleman’s estate show up at a former abbey, reputed to be haunted, to search for a hidden treasure. Howver, a mysterious hooded figure begins killing off those who may have figured out where the treasure is hidden.
Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.
This Disney drama, originally broadcast as a three-part TV episode, tells the story of a vicar’s double life. Outwardly, he is the model of upstanding citizenship and loyalty to an oppressive British government. But he is also a notorious smuggler who uses his ill-gotten gains to benefit his impoverished village.
The story of the film centres around urban housewife Beverly Boyer (Doris Day) and her husband, a successful gynaecologist and devoted family man, Gerald (James Garner). Beverly is offered the opportunity to star for a television commercial advertising soap. After a shaky start, she gets a contract for $80,000 per year to appear on the weekly TV commercials.
A writer named Adrian Messenger believes a series of apparently unrelated “accidental” deaths are actually linked murders. He asks his friend Anthony Gethryn, recently retired from MI5, to help clear up the mystery. However, Messenger’s plane is bombed while he is en route to collect evidence to confirm his suspicions and, with his dying breath, he tries to tell a fellow passenger the key to the mystery.
Determined to pull in the Pulitzer Prize, reporter Johnny Barrett will go to any length necessary to win the coveted award. When he learns of an unsolved murder committed at a mental institution, Barrett devises a scheme to solve it and earn himself recognition. With the assistance of a psychiatrist and his girlfriend, Barrett convinces the doctors at the institution to commit him. Once inside, he begins his investigation — and gradually loses his mind.
The rape of his teenage daughter instigated a violent, maniacal retribution on the perpetrator for which Georges was incarcerated in an asylum for the insane. When a stranger enters a quiet, country town and is seduced by a sensuous married woman he unwittingly finds himself at the centre of a storm of sexual guilt and murder for which he has been carefully and surreptitiously groomed to take full responsibility.
Nester Patou, a naive police officer, is transferred to the red light district in Paris and organizes a raid on a dodgy hotel running as a brothel – inadvertently disrupting the corrupt system of the police and the pimps union, and netting his station superior. Fired from his job, Nester goes to the local bar for a drink and befriends a pretty young lady named Irma la Douce. Upon realizing she is a prostitute, Nester invents a crazy scheme to keep her from seeing other men.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In “The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Earton costars as a glamorous society widow who goes slumming with Hammer.–Sean Axmaker
