Unfolding in Milan at the end of the 80s, Bang Bang Baby is a crime series centred around a shy and insecure teenager, Alice, who becomes a mafia organisation’s youngest member in a bid to win the love of her father, an ‘ndrangheta affiliate.

A behind-the-scenes look at the people who make a nightly cable-news program. Focusing on a network anchor, his new executive producer, the newsroom staff and their boss, the series tracks their quixotic mission to do the news well in the face of corporate and commercial obstacles-not to mention their own personal entanglements.

A rising politician’s career is threatened when a surreptitiously recorded video of her sex life is leaked to the public.

When Emily Thorne moves to the Hamptons, everyone wonders about the new girl, but she knows everything about them, including what they did to her family. Years ago, they took everything from her. Now, one by one, she’s going to make them pay.

Cruz Manuelos, a rough-around-the-edges but passionate young Marine, is recruited to join the CIA’s Lioness Engagement Team to help bring down a terrorist organization from within. Joe, the station chief of the Lioness program, is tasked with training, managing and leading her female undercover operatives.

Through Julia Child’s life and her singular joie de vivre, the series explores a pivotal time in American history – the emergence of public television as a new social institution, feminism and the women’s movement, the nature of celebrity and America’s cultural evolution.

Light Yagami is an ordinary university student. One day, he receives a death note which changes his life. The death note awakens his warped sense of justice and genius. He becomes murderer Kira and punishes criminals. L is a well known private detective. L appears in front of Light Yagami. L defines Kira as evil and decides to catch Kira. Then N, who has a beautiful appearance but dangerous existence, appears.

The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters.

The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner’s pilot script, written in March 2001, posited a re-invented CIA tasked with a “War on Terror” after Osama Bin Laden’s Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season.

The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and “The Agency”, at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season’s final episode.

After reluctantly returning to her tourist-trap hometown of Roswell, New Mexico, the daughter of undocumented immigrants discovers a shocking truth about her teenage crush who is now a police officer: He’s an alien who has kept his unearthly abilities hidden his entire life. She protects his secret as the two reconnect and begin to investigate his origins, but when a violent attack and long-standing government cover-up point to a greater alien presence on Earth, the politics of fear and hatred threaten to expose him and destroy their deepening romance.

Dodger follows the exploits of the infamous pickpocket, The Artful Dodger, and Fagin’s gang as they find ingenious ways to survive the grim and exploitative conditions of early Victorian London in the 1830s.

A “psychological exposé” into the minds of the most diabolical antagonists in WWE history and their impact on mainstream culture.

A middle-aged man recently ditched by his long-term girlfriend, ‘Karl’ lives with his elderly Auntie and his closest companion is his doppelgänger alter ego.