James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a darkly comedic road trip in search of her real father.

A spirited queen tries to rein in her rowdy sons in order to make one of them the next king of Joseon, while her competitors vie to snatch the throne.

Set in 1920s Shanghai, ten-year-old Sam and 12-year-old Elle return the Mogwai Gizmo back home to the lush and perilous Valley of Jade.

Annie is a fat young woman who wants to change her life — but not her body. Annie is trying to start her career while juggling bad boyfriends, a sick parent, and a perfectionist boss.

They’re rowdy, they’re ragtag, they’re misfits turned mercenaries for hire. Vox Machina is more interested in easy money and cheap ale than actually protecting the realm. But when the kingdom is threatened by evil, this boisterous crew realizes that they are the only ones capable of restoring justice.

The nicest guy in the Midwest moves his family into a tough neighborhood in Los Angeles where not everyone appreciates his extreme neighborliness. That includes their new next-door neighbor Calvin.

Narcissistic, brash, and self-destructive Jimmy thinks all relationships are doomed. Cynical, people-pleasing, and stubborn Gretchen knows that relationships aren’t for her. So when they meet at a wedding, it’s only natural that the two of them go home together and, despite their better judgment, begin to find themselves falling for each other.

Shocked to discover that her bland and unremarkable computer consultant husband is a skilled international spy, an unfulfilled suburban housewife is propelled into a life of danger and adventure when she’s recruited to work alongside him to save the world as they try to revitalize their passionless marriage.

A middle-aged man recently ditched by his long-term girlfriend, ‘Karl’ lives with his elderly Auntie and his closest companion is his doppelgänger alter ego.

Sick, twisted, politically incorrect and Freakin’ Sweet animated series featuring the adventures of the dysfunctional Griffin family. Bumbling Peter and long-suffering Lois have three kids. Stewie (a brilliant but sadistic baby bent on killing his mother and taking over the world), Meg (the oldest, and is the most unpopular girl in town) and Chris (the middle kid, he’s not very bright but has a passion for movies). The final member of the family is Brian – a talking dog and much more than a pet, he keeps Stewie in check whilst sipping Martinis and sorting through his own life issues.

When a high school reunion’s afterparty ends in a stunning death, everyone is a suspect. A detective grills the former classmates one by one, uncovering potential motives as each tells their version of the story—culminating in the shocking truth.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.