Best friends Raven and Chelsea, now both divorced mothers, are raising their children in a house together. Their house is turned upside down when they realize one of Raven’s children inherited the same psychic abilities as their mother.
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Dr. Temperance Brennan and her colleagues at the Jeffersonian’s Medico-Legal Lab assist Special Agent Seeley Booth with murder investigations when the remains are so badly decomposed, burned or destroyed that the standard identification methods are useless.
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Featuring an all-star cast, this genre-bending anthology series weaves together eight darkly comedic feminist fables that take unexpected approaches to subjects like gender roles, autonomy, and identity.
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One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Baby Daddy follows Ben, a young man in his early 20s living the life of a bachelor in New York City with his buddy, Tucker, and his brother, Danny. Their lives are turned upside down when they come home one day to find a baby girl left on the doorstep by an ex-girlfriend of Ben’s. After much deliberation, Ben decides to raise the baby with the help of his friends and his protective and sometimes over-bearing mother, Bonnie, and his close female friend, Riley.
Top Coppers follows the adventures of cops John Mahogany and Mitch Rust, as they attempt to rid the fictional world of Justice City from its deranged criminal underworld. The universe and its characters are derived from the conventions of American and British cop shows of the Seventies and Eighties, from Starsky & Hutch to The Professionals, but is set in no specific time or country. With big, silly characters and hilarious stories, Top Coppers is filled with familiar tropes and references from the police and action genres, as well as drawing on relatable British situations, problems and relationships.